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Access all of our Tutorials, Live streams and Behind the Scenes resources & materials today from some of the worlds best award winning photographers.
Access all of our Tutorials, Live streams and Behind the Scenes resources & materials today from some of the worlds best award winning photographers.
Tree and Jos judged every single Collection 24 image, debated on most of them, and then sat down to tell you exactly what they were thinking. Forty two minutes of honest, funny, wildly generous feedback on what made an image close, and what made it gold.
We tried to cut this one down to fifteen minutes. We really did. We got to forty two and gave up, because every time we went to trim something, Tree or Jos said another thing we could not bear to lose. There were simply too many golden nuggets in it. So this is the long version, and we are not sorry.
Tree and Jos have been photographing weddings between them for close to forty years. They have judged, been judged, been praised, been bored, and been trampled on the dance floor. They started judging Collection 24 on a plane home from New Orleans and carried on when they got back, and that level of care shows in every image they talk about here. They go image by image through the ones that came close and the ones that made it, and they are completely open about where they disagree with each other. Watching one of them gently tell the other "too much critiquing, I think" is worth the runtime on its own.
What comes through most is that this is not really a talk about flash settings. It is a talk about what mastery actually buys you. Their argument is that a photographer who truly owns their light stops thinking about it, the same way a musician who owns the chords stops counting them, and that freedom is what lets the real moment happen in front of you. They want you to move away from images that are perfectly lit and boring, and towards images that are interestingly lit, profound and real.
Along the way you will get the single best explanation of why you should slow down that we have heard, a running joke about putting your lighting assistant on stilts, a poem, eleven hands in one photograph, a piece of kit they refuse to call by its technical name, and a very persuasive case for paying your lighting assistant properly. There is also a proper telling off for over-lighting, which several of us needed.
This is the feedback our members keep telling us is the most useful thing we make. It is the closest you will get to sitting inside a judge's head while they decide.
Tree and Jos are wedding photographers, workshop teachers and Flash Masters ambassadors based in Portland, Oregon. Between them they have more than thirty five years behind the camera. They are also one of the warmest double acts you will meet, and they finish each other's sentences constantly, which makes this one of the most enjoyable pieces of education on the platform.
I’m a super energetic; disco dancing; tea drinking; doggy loving (calm your dirty mind – i’m referring to the animals); pizza munching; photo bombing; car singing; prosecco guzzling; welsh and proud; limbo champion; cartwheeling extraordinaire who happens to spend my days taking pretty pictures! I really hate spiders, wooden forks, the new cardboard straws that are simply useless!I am also one incredibly proud part of the Flash Masters founding team and am absolutely gutted I will never be able to enter the awards! I absolutely cannot wait to see all of the talent the community is going to offer!